Peso Pluma, originally from Guadalajara, whose real name is Hassan Emilio Kabande Laija, has recently found himself under scrutiny due to alleged connections with organized crime. The Mexican singer, known for his “corridos tumbados,” has been a rising star in the regional Mexican music scene. However, his rapid ascent has raised eyebrows and led to investigations by U.S. authorities.
Reports suggest that Peso Pluma is being investigated for possible ties to the Sinaloa Cartel. Allegedly, his career may have been financed by the cartel, which has led to suspicions about the source of his funding and the legitimacy of his success. Journalist Luis Chaparro revealed that Peso Pluma has been subjected to extensive searches and legal procedures at various U.S. airports. These investigations have intensified as authorities seek to uncover any potential links between the artist and criminal organizations.
The controversy surrounding Peso Pluma is not new. In the past, his participation in the Festival de Viña del Mar was canceled due to accusations that his music glorified narcotrafficking. Additionally, his songs, which often reference figures associated with organized crime, have been used by authorities to identify and investigate these individuals. This has led to a perception that Peso Pluma’s music serves as a tool for criminal organizations to communicate and promote their activities.
Despite the ongoing investigations, Peso Pluma’s popularity continues to soar. His unique blend of traditional Mexican music with modern elements of trap and reggaeton has garnered him a significant following. However, the allegations and investigations cast a shadow over his career, raising questions about the ethical implications of his success and the potential consequences of his alleged connections.
As the investigations unfold, the music industry and fans alike are left to ponder the impact of these allegations on Peso Pluma’s career and the broader implications for the intersection of music and organized crime in Mexico.
Sources: Razón / El Informador
